


ainoartistry substack newsletter (ongoing) | Writing | 2023- |
yellowish.pages project with Circle Poetry Collective | Writing, Design | 2025 |
Group exhibition at Toinen Silmä | Painting | 2025 |
'under the trees' painting series | Painting | 2024-2025 |
Master's Thesis on the Ethical Consumption of Indigenous Art | Writing, Research, Project Management | 2023-2025 |
Community video by Circle Poetry Collective for #stophatrednow festival 31.3-4.4.2025 | Poetry, Video | 2025 |
Solo Exhibition at Asbestos Gallery 31.3-4.4.2025 | Painting, Curation | 2025 |
Interview series: Text Lab Artists | Interviews, Video production | 2025 |
Text Laboratory internship at Tekstin Talo | Production, Design | 2024-2025 |
'Spaces as Archives' Visual Poetry Exhibition with Circle Poetry Collective | Curation, Poetry, Painting, Event | 2024 |
Waloa band website and album design | Design, Web design, Handprinted t-shirts | 2024 |
'Too Defining' self-published book | Writing, Painting, Design | 2023 |
Roseboom album designs and website | Design, Web design | 2022-2024 |
'21-'23 Paintings | Painting | 2021 - 2023 |


Creative based in Helsinki
Painter
Writer
Producer
Designer
Co-founder of the
circle poetry collectiveBorn in 1999 in Indianapolis, Indiana (USA), Aino Rahkonen has spent her life between the USA and Finland. Since 2020, she has lived full-time in Helsinki, Finland. Rahkonen holds a Bachelor’s in Interactive Media and Illustration Art from Indiana University, and is completing a Master’s in Intercultural Encounters from the University of Helsinki. In 2024, she had in her first exhibition ‘Spaces as Archives’ at Tekstin Talo alongside her group the Circle Poetry Collective. She self-published her first book, ‘Too Defining’, in 2022. The exhibition ‘under the trees’ at Asbestos 2025 was her first solo exhibition.Ranging from installations of large-scale paintings to poetry and prose, Aino Rahkonen’s practice pairs artistic form with words, finding ways to express more feelings than just what can be described. She works with depictions of the natural world to parallel the human experience, reminding us of the innateness and inevitability of our lives here on earth. Her cross-disciplinary training allows for multi-media projects to be born.

email ainoartistry@gmail.com
instagram @ainoartistry


email ainoartistry@gmail.com for more information!
paintings

counterbalance
2024
100cm x 150cm
Acrylic, pastels on unstretched canvas
350 eur

designed destruction
2025
100cm x 70cm
Acrylic, pastels on paper
375 eur

vivid dreams
2025
70cm x 100cm
Acrylic, pastels on repurposed fabric
200 eur

two shadows
2025
60cm x 100cm (x2)
Acrylic, pastels on repurposed wood
450 eur
prints
A3 size prints - 15e
A4 size prints - 10e
Postcard size prints - 5e
Community 2025
Visual poetry video by Circle Poetry Collective
Premiering at #stophatrednow festival 13.5.25
31.-4.4.25'under the trees' was my first solo painting exhibition. It felt like such an accomplishment to put something together and follow through with it, and I was humbled by all the people who showed up and were so excited to celebrate my work. It was also a huge learning opportunity!The skills to put together an exhibition, specifically your own exhibition, are things you can only learn by doing. Now that I have experience in a few exhibitions, I am learning the ropes, but it has definitely changed the way I think about my art and how I want people to see it. A lot of things happen circumstantially when it comes to presenting your own art, and these are elements that moving forward I would be more intentional about. I am excited to see how this experience changes my practice and what I create next.x aino

15.-21.7.24Our group, the Circle Poetry Collective, curated a visual poetry exhibition for this UrbanApa x Tekstintalo residency. The title was ‘Spaces as Archives: Identities Through Time’. We compiled works, edited texts, worked on common themes, and then came in with one week to put together a cohesive exhibition. I learned so much about the time it takes and the logistics of the curation of an exhibit. I felt energized to come work everyday, and woke up happier than I usually do, so it felt like something I want to do more of. It was such a privilege to be given the space, materials, and emotional support to be creative all week and express your vision. That type of real experience is so valuable, and I’m so aware how difficult it is to connect the creative vision to the actual curation because logistics start to cloud the original vision of the project.The exhibition featured 6 of my poems, as well as 3 of my paintings. I loved being able to exhibit poems and paintings together, as my creativity does often come in multiple forms at once. I had painted with the same things in mind as I had been writing about, so I hoped that could be felt and something could be gained from seeing both pieces at the same time. The exhibition ended with two of my paintings hanging from the ceiling with the poems written on the ground.I am so proud of our work as a team as well. I had never collaborated on a creative project before and although this was made up of our individual works, the curation of the exhibit required a lot of group decisions, creative support, team thinking, compromise, ideas from others that you would have never thought of, insisting upon your vision, learning when to insist versus allow other ideas, etc.x aino

map that we handed out to all visitors to introduce context for each artwork




'counterbalance' 2024

'under the trees' 2024

'designed destruction' 2025

'vivid dreams' 2025

'two shadows' 2025
selected past works

In 2023 I self-published my first book 'Too Defining'! It was a collection of my poetry and prose paired with my paintings. I really enjoyed the process of writing, painting, and designing this project. I feel like I grew immensely as a producer and creative problem solver. I would love to publish more and work with other artists to make their ideas come to life.